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As I negotiated my acrobatic skills over the stone, looked back so I don’t get ran over or splashed by one of the uncivilized drivers, looked at the camera so I don’t ruin it with the running dirty water, composed the shot to include both elements, I took a couple of shots to get the best composition. As I was ready to put away the camera and moved away from the center of the street because two vehicles were using their horns to alert me that they were close and they had no mercy; this lady entered the frame; I did see her with my own eyes as I was looking down to the twist-out viewfinder paralleled to the floor; I had but fleeing second to take the shot and this fraction of a second my mind went through all countless photographs warehoused in my memory so fast that I must remember over thousand images until my brain did a full stop at one my favorite images ever: The Decisive Moment by Henri Cartier-Bresson. With that image in my head, I pressed the shutter release. Next, I pulled away from the centre of the street just in time as the vehicle behind me went by making a big splash (I did not get wet), pulled my eye sight to see that the lady did not fall and was already walking away in the opposite direction.